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Barber: Complete works for Piano
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Corelli: Complete Edition Vol. 1 (1 of 10)
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Corelli: Complete Edition Vol. 2
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Corelli: Complete Edition Vol. 3
Arcangelo Corelli (1653-1713)
Trio Sonatas Op. 2 Nos. 10-12 (1685)
Sonata a quattro in D for Trumpet, Two Violins & Continuo, WoO4
Sonata (Posthumous) for Violin, Cello & Bass (1714)
Four Trio Sonatas. WoO5-9
William Wroth, Trumpet
Pieter-Jan Belder, Musica Amphion
(Period Instruments)
Brilliant Classics 94112 /3
Trio Sonatas Op. 2 Nos. 10-12 (1685)
Sonata a quattro in D for Trumpet, Two Violins & Continuo, WoO4
Sonata (Posthumous) for Violin, Cello & Bass (1714)
Four Trio Sonatas. WoO5-9
William Wroth, Trumpet
Pieter-Jan Belder, Musica Amphion
(Period Instruments)
Brilliant Classics 94112 /3
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Corelli: Complete Edition Vol. 4
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Chopin: Waltzes – Zoltán Kocsis (1952-2016)
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Chicago Pro Musica - Walton, Strauss, Scriabin and Nielsen
01. - 12. William Walton - Facade Suite [20'20]
13. Richard Strauss (arr. Franz Hasenohrl) - Till Eulenspiegel einmal anders! [8'04]
14. Alexander Scriabin (arr. Willard Eliot) - Waltz in A-flat major, op.38 [5'57]
15. Carl Nielsen - Serenata in Vano, FS.68 [6'42]
Chicago Pro Musica
Reference Recordings RR-16 (recorded August 1983; this CD release 1985)
(flac and scans)
Recording venue: Medinah Temple, Chicago
Recording engineer: Keith Johnson; Producers: John Bruce Yeh and J Tamblyn Henderson
Here's another recording of music from Walton's Facade - last week a very English view, this week from across the Atlantic. This time we have it without voices but still in the original scoring for chamber ensemble - a selection of 12 numbers plus the Fanfare, much the same selection as in Walton's two ballet suites arranged for full orchestra, except that Mariner Man replaces Noches espanol.
Franz Hasenohrl's eight-minute condensation of Strauss'Till Eulenspiegel (another way!) for five instruments is a very German kind of joke written in 1954, after the composer and his widow were both safely dead. Possibly an acquired taste.
The Pro Musica is made up of leading musicians from the Chicago area including many from the Chicago Symphony. The arrangement of the Scriabin waltz was made by bassoonist member, Willard Eliot. The recorded sound is very fine - as expected from Prof. Johnson.
13. Richard Strauss (arr. Franz Hasenohrl) - Till Eulenspiegel einmal anders! [8'04]
14. Alexander Scriabin (arr. Willard Eliot) - Waltz in A-flat major, op.38 [5'57]
15. Carl Nielsen - Serenata in Vano, FS.68 [6'42]
Chicago Pro Musica
Reference Recordings RR-16 (recorded August 1983; this CD release 1985)
(flac and scans)
Recording venue: Medinah Temple, Chicago
Recording engineer: Keith Johnson; Producers: John Bruce Yeh and J Tamblyn Henderson
Here's another recording of music from Walton's Facade - last week a very English view, this week from across the Atlantic. This time we have it without voices but still in the original scoring for chamber ensemble - a selection of 12 numbers plus the Fanfare, much the same selection as in Walton's two ballet suites arranged for full orchestra, except that Mariner Man replaces Noches espanol.
Franz Hasenohrl's eight-minute condensation of Strauss'Till Eulenspiegel (another way!) for five instruments is a very German kind of joke written in 1954, after the composer and his widow were both safely dead. Possibly an acquired taste.
The Pro Musica is made up of leading musicians from the Chicago area including many from the Chicago Symphony. The arrangement of the Scriabin waltz was made by bassoonist member, Willard Eliot. The recorded sound is very fine - as expected from Prof. Johnson.
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Corelli: Complete Edition Vol. 5
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Minkus-Delibes: La Source - Drigo: La Flûte Magique - Bonynge
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Corelli: Complete Edition Vol. 6
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Corelli: Complete Edition Vol. 7
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Corelli: Complete Edition Vol. 8
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Grieg: Peer Gynt Suite / Tchaikovsky: The Nutcracker Suite
Peter Ilyich Tchaikovsky
The Nutcracker Suite
Edvard Grieg
Peer Gynt Suite
Vienna Philharmonic
Herbert von Karajan
LP Rip - 1964
DOWNLOAD
[FLAC, Front Cover, Individual Tracks]
The Nutcracker Suite
Edvard Grieg
Peer Gynt Suite
Vienna Philharmonic
Herbert von Karajan
LP Rip - 1964
DOWNLOAD
[FLAC, Front Cover, Individual Tracks]
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Ian Partridge - Vaughan Williams Song Cycles
01. - 04. Ralph Vaughan Williams - Four Hymns [15'22]
05. - 07. Ralph Vaughan Williams - Merciless Beauty [6'15]
08. Ralph Vaughan Williams - The Water Mill* [3'16]
09. Ralph Vaughan Williams - The New Ghost* [4'59]
10. - 19. Ralph Vaughan Williams - Ten Blake Songs# [17'52]
20. - 25. Ralph Vaughan Williams - On Wenlock Edge [21'29]
Ian Partridge- tenor with:
Music Group of London (Hugh Bean & Frances Mason- violins; David Parkhouse- piano; Christopher Wellington- viola; Eileen Croxford- cello)
*Jennifer Partridge- piano
#Janet Craxton- oboe
EMI CDM5655892 (recorded January 1970 & June 1973; *August & #May 1970; this CD release 1996)
(flac and scans)
Recording venue: No.1 Studio Abbey Road, London
Recording engineer: Neville Boyling; Producer: Christopher Bishop
This was one of the first recordings of On Wenlock Edge that I got to know, back in the 1970s, and it remains my favourite. At the time, all recordings were in this original version with string quartet and piano but nowadays, the orchestral version seems to have become the more popular.
This disc is replicated in EMI's giant Vaughan Williams Collector's Edition boxed set but this single disc comes with excellent notes by Michael Kennedy and the printed lyrics. Ian Partridge's performances are treasurable throughout as are the accompaniments - Janet Craxton's oboe makes the Blake Songs more ear-pleasing than usual.
Superb recorded sound from EMI's golden age.
05. - 07. Ralph Vaughan Williams - Merciless Beauty [6'15]
08. Ralph Vaughan Williams - The Water Mill* [3'16]
09. Ralph Vaughan Williams - The New Ghost* [4'59]
10. - 19. Ralph Vaughan Williams - Ten Blake Songs# [17'52]
20. - 25. Ralph Vaughan Williams - On Wenlock Edge [21'29]
Ian Partridge- tenor with:
Music Group of London (Hugh Bean & Frances Mason- violins; David Parkhouse- piano; Christopher Wellington- viola; Eileen Croxford- cello)
*Jennifer Partridge- piano
#Janet Craxton- oboe
EMI CDM5655892 (recorded January 1970 & June 1973; *August & #May 1970; this CD release 1996)
(flac and scans)
Recording venue: No.1 Studio Abbey Road, London
Recording engineer: Neville Boyling; Producer: Christopher Bishop
This was one of the first recordings of On Wenlock Edge that I got to know, back in the 1970s, and it remains my favourite. At the time, all recordings were in this original version with string quartet and piano but nowadays, the orchestral version seems to have become the more popular.
This disc is replicated in EMI's giant Vaughan Williams Collector's Edition boxed set but this single disc comes with excellent notes by Michael Kennedy and the printed lyrics. Ian Partridge's performances are treasurable throughout as are the accompaniments - Janet Craxton's oboe makes the Blake Songs more ear-pleasing than usual.
Superb recorded sound from EMI's golden age.
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The Floating City
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Schütz & Scheidt: Sacred Concertos
HEINRICH SCHÜTZ (1585-1672)
Symphoniae sacrae I (SWV 257-276)
CAPELLA FIDICINIA
Hans Grüß
Recording: Dresden, Lukaskirche, 1984 - Re-Published 1997
2 CDs [45:17] + [55:52]
Samuel Scheidt (1587-1654)
Great Sacred Concertos (SSWV 17,181,188-190,220,547,551-557)
La Capella Ducale
Musica Fiata
Direction: Roland Wilson
Recording: Christuskirche Brühl, 2004
[79:47]
Symphoniae sacrae I (SWV 257-276)
CAPELLA FIDICINIA
Hans Grüß
Recording: Dresden, Lukaskirche, 1984 - Re-Published 1997
2 CDs [45:17] + [55:52]
Samuel Scheidt (1587-1654)
Great Sacred Concertos (SSWV 17,181,188-190,220,547,551-557)
La Capella Ducale
Musica Fiata
Direction: Roland Wilson
Recording: Christuskirche Brühl, 2004
[79:47]
TRACKLIST
HEINRICH SCHÜTZ (1585-1672)
Symphoniae sacrae I
SWV 257-276
Lateinische geistliche Konzerte (Gesamtaufnahme)
CD 1 [45:17]
01. Cantabo Domino in vita mea (SWV 260) [05:21]
02. O Quam tu pulchra es (Prima pars) (SWV 265) [04:35]
03. Veni de Libano, amica mea (Secunda pars) (SWV 266) [04:20]
04. Paratum cor meum, Deus (SWV 257) [04:12]
05. Domine, labia mea aperies (SWV 271) [04:28]
06. Fili mi Absalon (SWV 269) [05:12]
07. In lectulo per noctes (Prima pars) (SWV 272) [05:36]
08. Invenerunt me custodes Civitatis (Secunda pars) (SWV 273) [04:39]
09. Buccinate tu neomenia tuba (Prima pars) (SWV 275) [03:55]
10. Jubilate Deo in chordis et organo (Secunda pars) (SWV 276) [02:53]
CD 2 [55:52]
01. Jubilate Deo omnis terra, SWV 262 [05:40]
02. Anima mea liquefacta est (Prima pars), SWV 263 [03:46]
03. Adjuro vos, filiae Jerusalem (Secunda pars), SWV 264 [03:38]
04. Exsultavit cor meum in Domino, SWV 58 [04:55]
05. In te, Domine, speravi, SWV259 [05:37]
06. Veni, dilecte mi, in hortum meum, SWV 274 [05:14]
07. Venite ad me omnes qui laboratis, SWV 261 [08:23]
08. Benedicam Dominum in omni tempore (Prima pars), SWV 267 [03:25]
09. Exquisivi Dominum et exaudivit me (Secunda pars), SWV 268 [03:38]
10. Attendite, popule meus, legem meam, SWV 270 [07:49]
11. Paratum cor meum, Deus (mit Tenor), SWV 257 [03:41]
CAPELLA FIDICINIA
Hans Grüß
Michael Diedrich, Norbert Kleinschmidt, Thomas Nitschke - Knabensopran / boy soprano
Werner Marschall - Discantus / Descant
Reinhart Ginzel, Albrecht Lepetit, Peter Schreier - Tenor
Ekkehard Wagner - Tenor + Altus
Gothart Stier - Bariton
Hermann Christian Polster, Günther Schmidt - Baß / Bass
Recording: Dresden, Lukaskirche, 2, 6, 10/1984
Recording Producer: Heinz Wegner - Balance Engineer: Horst Kunze, Eberhard Richter
Recording Engineer: Horst-Dieter Käppler; Michael Richter - Editing: Hildegard Miehe
Cover: Masaccio: »Petrus verteilt Almosen"; Fresko in der Brancacci-Kapelle,
S. Maria del Carmine, Florenz, um 1425
(P) 1985 "edel" records GmbH
(C) 1997 "edel" records GmbH
Berlin Classics 0092502BC
TRACKLIST
Samuel Scheidt (1587-1654)
Great Sacred Concertos
(1) Wies Gott gefällt SSWV 188-190 17:10
(reconstruction of original version by Roland Wilson
using the Symphonien SSWV 413 und SSWV 414)
(2) Kommt her, ihr gesegneten - Dialogus SSWV 220 8:37
(3) Freue dich des Weibes deiner Jugend SSWV 181 6:15
(4) Warum betrübst du dich, mein Herz à 8 o 12 SSWV 554 9:16
(with Symphonia SSWV 417 as introduction)
(5) Christo, dem Osterlämmlein SSWV 551-552 5:50
(6) Nun lob mein Seel den Herren SSWV 555-557 16:38
(7) Ist nicht Ephraim mein teurer Sohn à 7 SSWV 553 5:59
(8) Ich bin die Auferstehung à 5 SSWV 547 3:15
(9) Nun danket alle Gott SSWV i7 6:45
(MS. Königsberg)
Total Time: 79:47
La Capella Ducale
Musica Fiata
Direction: Roland Wilson
La Capella Ducale:
Monika Mauch, Constanze Bockes - soprano
Ralf Popken, Werner Buchin - alto
Wilfried Jochens, Markus Brutscher - tenor
Harry von der Kamp, Wolf Matthias Friedrich - bass
Musica Fiata:
Roland Wilson - cornetto, alto cornett, tenor cornett, recorder
Arno Paduch - cornetto, recorder
Ralf Popken - recorder
Peter Stelzl - alto and tenor trombones
Detlef Reimers - tenor trombone
Wim Becu - bass trombone
Christoph Hamborg - tenor trombone
Anette Sichelschmidt, Christine Moren - violin, viola
Andreas Pilger, Paulo Kibildis - viola
Hartwig Grath - violone
Lee Santana - chitarrone, archlute
Axel Wolf - chitarrone
Christoph Anselm Noll - organ, regal, spinett
Recording: Christuskirche Brühl, January 21-23, 2004
Recording Supervisor and Digital Editing: Günther Wollersheim
Recording Engineers: Jürgen Königsfeld
Executive Producers: Dr. Barbara Schwendowius, Burkhard Schmilgun
Co-Produktion: Westdeutscher Rundfunk Köln / cpo
cpo 777 145-2
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Buxtehude: Organ works – Marie-Claire Alain
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Corelli: Complete Edition Vol. 9
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Corelli: Complete Edition Vol. 10 (Last in the Series)
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La Prise de Bastille - Music of the French Revolution
Jean-Baptiste "Citoyen" Davaux (1742-1822)
Symphonie Concertante in G for Two Violins & Orchestra
Francois Martin (1727-1757)
Symphonie in G minor, Op. 4 No. 2
Carl Ditters von Dittersdorf (1739-1799)
Symphonie in C major "La Prise de la Bastille"
Francois-Joseph Gossec ( 1734-1829)
Symphonie in D major, Op. 3 No. 6
Concerto Köln
(Period Instruments)
Capriccio 10 280 (1989)
Symphonie Concertante in G for Two Violins & Orchestra
Francois Martin (1727-1757)
Symphonie in G minor, Op. 4 No. 2
Carl Ditters von Dittersdorf (1739-1799)
Symphonie in C major "La Prise de la Bastille"
Francois-Joseph Gossec ( 1734-1829)
Symphonie in D major, Op. 3 No. 6
Concerto Köln
(Period Instruments)
Capriccio 10 280 (1989)
[Flac & Scans]
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