NORMA
Elena Suliotis, Mario del Monaco
Carlo Cava, Fiorenza Cossotto
Orchestra e Coro dell'Accademia di Santa Cecilia, Roma
dir : Silvio Varviso
Original stereo recording: Roma, 1967
CAVALLERIA RUSTICANA
Elena Suliotis, Mario del Monaco
Tito Gobbi, Anna di Stasio, Stefania Malagù
Orchestra e Coro di Roma
dir: Silvio Varviso
Original stereo recording: Roma, 1966
Decca Analog Golden Age Volume Three Blu-Ray audio [P] 2016
High resolution audio files (24 bit/192 kHz)
prepared from the original master tapes at Abbey Road Studios
Digital remaster at Universal Music Mexico
FLAC files, scans, no libretti
Elena Souliotis Fans Rejoice For "Norma" Release Diva Turn: Souliotis in her prime
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Previously only available on compact disc in Japan, the 1967 recording of Bellini's Norma featuring 24-year old soprano Elena Souliotis now gets an international release. Sporting the original cover photo shot by Francesco Scavullo, this recording can be counted among the most worthy of owning. At times the young singer is vocally gentle and serene, while other moments (namely those with powerhouse veterans Fiorenza Cossotto and Mario Del Monaco) she is ferocious and fearless. Once thought of as a worthy successor to Maria Callas, the career of Ms. Souliotis burned hot and brief. The soprano spent most of her time in the studio during the mid-1960s setting down full operas and recital discs for posterity.
Originally recorded for Decca, the opera makes its worldwide debut for which many fans have been clamoring. Gramophone reviewed this set when it was released: "Elena Souliotis has the power, ferocity, energy for the role [...] Mario del Monaco’s 'Ferisci, ma non interrogarmi' is a splendid moment [...] Cosotto’s tone is always full and beautiful [...] Silvio Varviso’s direction is pleasantly spirited [...] The recording is spacious, clear and well-balanced." From the liner notes: "Bellini’s advice to librettists in 1834 might profitably hang above the desks of all who would pursue this singular art today: ‘Carve in your head in adamantine letters: Opera must make people weep, feel horrified, die through singing. It is wrong to want to write all the numbers the same way, but they must all be somehow shaped so as to make the music intelligible through their clarity of expression, at once concise and striking.’ Much of it could apply to his opera Norma. Most of the music was written between September and November 1831 at Blevio on Lake Como, where Bellini was a guest of the great diva Giuditta Pasta, who created the role of Norma. For more than a decade she was the greatest soprano in Europe and undoubtedly influenced the development of Bellini’s vocal style.
This recording, made in Rome in 1967, featured the great Greek soprano Elena Souliotis. Silvio Varviso conducts and the emphasis is on the drama and the creation of three-dimensional characters. It’s an approach that suited Souliotis. Her interpretation ranges from the ravishing simplicity of her ‘Casta Diva’ to desperate mood swings in the scene with the sleeping children (‘Dormono entrambi’) and in her dealings with Pollione. Mario Del Monaco is as strong as ever as the Roman proconsul Pollione; his high notes ringing and unforgettable. Adalgisa is sung by Fiorenza Cossotto (b. 1935), Italian mezzo-soprano regarded by many as one of the finest mezzos of the twentieth century. OPERA FRESH